Reda Belhadfa looks back at the now-ended Christmas production of Ms. Holmes and Ms. Watson  to dissect how the cannibalised feminism of Kate Hamill's retelling of Conan Doyle's classic evacuates both the art form and the movement of any material force. Photography courtesy of Arcola Theatre/Alex Brenner At first glance you might assume - from it's title at the very least - that the Arcola Theatre production of Ms. Holmes and Ms. Watson would be a (very) simple 21st century

What happens when a museum stops pretending to be above the world and starts behaving like part of it? Arts of the Earth  at the Guggenheim Bilbao gets its hands dirty enough to suggest that even greenwashing can, occasionally, grow something real. writes Victoria Comstock-Kershaw. Isa Melsheimer, Wardian Case , 2023. Courtesy the artist and Galerie Jocelyn Wolff, Paris. There’s a moment walking into Arts of the Earth when the Guggenheim Bilbao stops feeling like a titani

According to my iMessage history, the only text I sent during the first and only time I saw rockstar-cum-author Kieran “Saint” Leonard in...

Sultry, raunchy, and nail-bitingly agitated, the female-led powerhouse of Full Frontal Theatre 's To Watch a Man Eat  is a salivatingly...

Agnès Houghton-Boyle reviews the playful, independent post-lockdown films of the Saigon Experimental Film Festival , curated by Phạm...

A strong debut: Some Demon needs nothing more in its content and only an hour less in its performance. writes Paige Bruton.

Nadia Albina leads a terrific cast in a nuanced examination of language's impact on identity in the RSC’s European premiere of Sanaz...

Branden Jacob-Jenkins’ newest play just doesn’t feel that new, writes Paige Bruton.

"Simultaneously urgent and beautiful, Trevor Nunn’s Uncle Vanya promises a lot – and delivers." writes Fetch theatre critic Paige Bruton....