Valentine’s Day, a cinema full of spinsters, and a two-hour lesson in meandering, self-important, tone-deaf excess: critic Reda Belhadfa reviews Wuthering Heights  and wonders if St Valentine’s stoning might be preferable to Emerald Fennell ’s latest. Courtesy of Warner Bros/YouTube I am not entirely certain that we aren’t in purgatory. Certainly, with headlines of late, one might be forgiven for believing we are being divinely punished for our sins. And, after having sat th

As a Brit, it’s a rare pleasure to go to an art fair abroad and not come back feeling slightly embarrassed. Vol 12 . of Feria Material , however, is one such instance: despite exhibiting over 70 galleries this year, London's six booths absolutely held their own, and with unusual discipline to boot. Victoria Comstock-Kershaw reports from Mexico City. BROOKE BENINGTON Super sexy and super dichotomous: the booth props up Juno Calypso ’s sensual, boudoire-esque photography next

In conversation with the devastating prose writer Fernanda Melchor for  Granta , her English translator Sophie Hughes recalls a few...

Both the punchline and the set-up, Cattelan has us questioning: who’s the comedian now? writes Ruby Mitchell. Photography courtesy of...

Ciarán Cassidy ’s   Housewife of the Year , which premiered at CPH:DOX , won Best Irish Feature Documentary at the Galway Film Fleadh ...

If nothing else, the photography at Frieze London make us feel like we’re part of an elaborate in-joke. I mean, really—who doesn’t love...

I have been wary of the term ‘emerging artist’ for a while but this year has confirmed my fears that the phrase has started to lose all...

This year’s fair showcased a remarkable selection of portraits that break away from conventional portraiture colloquiums, writes Avantika Pa

The best and the worst of this year's Frieze show just how delicate the balance between curatorial excellence and art market demands...