For a generation of early Millennials and late Gen Xers growing up in North America on the cusp of the dot-com bubble, the Mavis Beacon...

Holy Cow is fundamentally a coming-of-age story shaped by very a specific political and economic landscape. If Mathieu captures the generati

In conversation with the devastating prose writer Fernanda Melchor for  Granta , her English translator Sophie Hughes recalls a few...

Antonella Sudasassi Furniss ’s second feature, Memories of a Burning Body , has opened to UK cinemas this week . In 2024, it took home...

Ciarán Cassidy ’s   Housewife of the Year , which premiered at CPH:DOX , won Best Irish Feature Documentary at the Galway Film Fleadh ...

Filmmakers Alys Tomlinson  and Cécile Embleton  discovered Vera, the subject of their recent documentary film Mother Vera   (2024)  in...

Instead of the gallery being a place of observation and a one-way communication from artist to those experiencing their work, it becomes...

"I’m still a kid inside, and have not wavered from my childhood tastes and ideas,” says Isabella Josephine Leon , the up-and-coming...

Something that Mark Cousins shares with the late modernist painter Wilhelmina Barns-Graham – the subject of his latest documentary – is...

Courtesy of @dream_sequence_london via Instagram Imagine your ideal ten-course meal — a sensory journey of flavours, aromas, and visuals,...

Agnès Houghton-Boyle reviews the playful, independent post-lockdown films of the Saigon Experimental Film Festival , curated by Phạm...

Embracing Bauman’s state of liquid modernity, Obsidian Upset 's artists play around with the mutable nature of identity, navigating and...

Taking his camera into the heart of chaotic queues winding through the city centre, Goran Dević captures poignant moments of connection...

In their documentary Our Land Our Freedom (2023), filmmakers Meena Nanji and Zippy Kimundu document Wanjugu Kimathi's work between 2016...

Maja Novaković's At The Door Of The House Who Will Come Knocking was awarded the Grand Jury Award for the International Competition at...

Tania Delgado is the director of the renowned Festival Internacional del Nuevo Cine Latinoamericano (International Festival of New Latin...

What remains vivid in my memory from the pandemic is the experience of forgetting how to speak. Literally, but also figuratively, given...

Fanny Latour-Lambert's photography exists on a plane of cinematic obscurity. From figures that contort across the lens to romanesque...

Little can be said of Yorgos Lanthimos’ Poor Things that hasn’t already been talked about in some form already. Most debates revolve...

On the 22nd of November, the 60th anniversary of John F. Kennedy’s assassination, the first fifteen minutes of Burt Topper's War is...