REVIEW | UNCLE VANYA AT THE ORANGE TREE THEATRE
- Feb 22
YORGOS LANTHIMOS’ 'POOR THINGS': WHEN DID SEX SCENES BECOME A BAD THING?
- Feb 6
REVIEW | THE HILLS OF CALIFORNIA AT HAROLD PINTER
- Jan 10
REVIEW | TIN & TINA
- Jan 2
REVIEW | 'COLD WAR' AT THE ALMEIDA
- Dec 13, 2023
REVIEW | 'INFINITE LIFE' AT THE NATIONAL
- Dec 7, 2023
MAY DECEMBER FILM REVIEW: HAYNES’ MELODRAMA FINDS THE CHILD WITHIN US ALL
- Dec 5, 2023
BALOJI'S 'OMEN': AFROFUTURISM MEETS ANGELA CARTER
- Dec 2, 2023
"GRIEF IS NOT STRAIGHT": MYLES O’GORMAN ON DIRECTING 'TIGER'
- Dec 1, 2023
NO PAIN, NO GAIN: TIM CROUCH'S 'I, MALVOLIO' AT THE GLOBE
- Nov 30, 2023
REVIEW | THE HOUSE OF BERNARDA ALBA AT THE NATIONAL
- Nov 23, 2023
REVIEW | 'DREAM SCENARIO' IS THE NIGHTMARE OF YOUR DREAMS
- Nov 22, 2023
REVIEW | 'SHE STOOPS TO CONQUER' NEEDS YOU TO MEET LITTLER ON HIS TERMS
- Nov 21, 2023
'TISH' IS A COMMANDING SIEGE TO THE SENSES
- Nov 16, 2023
REVIEW | 'SALTBURN' IS ALL STYLE BUT LITTLE SUBSTANCE
- Nov 14, 2023
REVIEW | 7 DEATHS OF MARIA CALLAS AT THE ENGLISH NATIONAL OPERA
- Jun 25, 2023
REVIEW | THE NATIONAL PORTRAIT GALLERY IS IN PORTRAIT POVERTY
- Jun 14, 2023
REVIEW | ES AND FLO AT KILN THEATRE
- Apr 4, 2023
KUWAYAMA / NAITO AT THE MAYOR GALLERY
- Feb 12, 2023
REVIEW | PHEADRA AT THE NATIONAL