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APPETITE AND THE AESTHETICS OF DESIRE AT MAXIMILLIAN WOLFGANG GALLERY

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'MS. HOLMES AND MS. WATSON': VERY LITTLE IS AFOOT

Victoria Comstock-Kershaw

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'ARTS OF THE EARTH' AT MUSEO GUGGENHEIM BILBAO

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Jun 4, 2025

THE OCCULT AUTOFICTION OF KIERAN LEONARD’S 'A MUSE'

Flora Guildford

Sep 27, 2024

SEX, POWER AND FOOD: FULL FRONTAL THEATRE'S 'TO WATCH A MAN EAT' AT OLD RED LION

Agnès Houghton-Boyle

Aug 26, 2024

VIETNAM'S AVANT-GARDE CINEMA SHINES AT THE SAIGON EXPERIMENTAL FILM FESTIVAL

Paige Bruton

Jun 24, 2024

REVIEW | SOME DEMON AT THE ARCOLA THEATRE

Tom Monahan

Jun 10, 2024

REVIEW | ENGLISH AT KILN THEATRE

Paige Bruton

Apr 25, 2024

REVIEW | THE COMEUPPANCE AT THE ALMEIDA

Paige Bruton

Mar 13, 2024

REVIEW | UNCLE VANYA AT THE ORANGE TREE THEATRE

Jethro Robathan

Feb 22, 2024

YORGOS LANTHIMOS’ 'POOR THINGS': WHEN DID SEX SCENES BECOME A BAD THING?

Paige Bruton

Feb 6, 2024

REVIEW | THE HILLS OF CALIFORNIA AT HAROLD PINTER

Raegan Rubin

Jan 10, 2024

REVIEW | TIN & TINA

Paige Bruton

Jan 2, 2024

REVIEW | 'COLD WAR' AT THE ALMEIDA

Paige Bruton

Dec 13, 2023

REVIEW | 'INFINITE LIFE' AT THE NATIONAL

Jethro Robathan

Dec 7, 2023

MAY DECEMBER FILM REVIEW: HAYNES’ MELODRAMA FINDS THE CHILD WITHIN US ALL

Agnès Houghton-Boyle

Dec 5, 2023

BALOJI'S 'OMEN': AFROFUTURISM MEETS ANGELA CARTER

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Dec 2, 2023

"GRIEF IS NOT STRAIGHT": MYLES O’GORMAN ON DIRECTING 'TIGER'

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NO PAIN, NO GAIN: TIM CROUCH'S 'I, MALVOLIO' AT THE GLOBE