Victoria Comstock-Kershaw

Feb 26

WHAT DO WE DO WITH LEIGH BOWERY?

Ruby Mitchell

Feb 18

MY LOVE/HATE LETTER TO PVs

Riddhi Dasgupta

Nov 4, 2024

WHEN EVERYONE IS A PHOTOGRAPHER, WHAT MAKES FRIEZE'S PHOTOGRAPHY WORTHY? 

Agnès Houghton-Boyle

Oct 4, 2024

RENEWING THE LEGACY OF WILHELMINA BARNS-GRAHAM

Riddhi Dasgupta

Aug 23, 2024

EMBRACING THE UNEASE: 'HOLDING PLACES' AT BELMACZ

Victoria Comstock-Kershaw

Jun 15, 2024

“ART IS LIKE HAVING A HOT GIRLFRIEND”: ART BASEL IS THE BEAUTIFUL CESSPIT WE DESERVE

Julie Uszpolewicz

May 12, 2024

OPINION | MOURNING GIRL DINNER

Victoria Comstock-Kershaw

Apr 3, 2024

ART BASEL HONG KONG 2024: WHERE IS ALL THE GOOD ART?

Victoria Comstock-Kershaw

Mar 13, 2024

SHOULD WOMEN STOP PAINTING WOMEN? WHAT SOTHEBY’S MODERN AND CONTEMPORARY SALE TELLS US ABOUT ART MARKET ATTITUDES TO FEMALE ARTISTS

Jethro Robathan

Feb 22, 2024

YORGOS LANTHIMOS’ 'POOR THINGS': WHEN DID SEX SCENES BECOME A BAD THING?

Agnès Houghton-Boyle

Feb 13, 2024

"FEMINISM BEGINS WITH SENSATION": ANNA PERACH AT GASWORKS ULTIMATELY FALLS FLAT

Victoria Comstock-Kershaw

Feb 4, 2024

OPINION | SOUPGATE: NOT FAR ENOUGH?

Victoria Comstock-Kershaw

Oct 5, 2023

OPINION | WHY ARE WE STILL PRETENDING VIVIENNE WESTWOOD WAS PUNK?

Victoria Comstock-Kershaw

Jun 25, 2023

REVIEW | THE NATIONAL PORTRAIT GALLERY IS IN PORTRAIT POVERTY

Victoria Comstock-Kershaw

Jan 26, 2023

THE UNLUCKY POLITICS OF GOOD LUCK TO YOU, LEO GRANDE

Victoria Comstock-Kershaw

Mar 23, 2022

NFTs AT AUCTION: SO WHO'S ACTUALLY BUYING THIS STUFF?

James Bristol

Mar 15, 2021

OPINION | FUCK OFF, LIN-MANUEL MIRANDA

Victoria Comstock-Kershaw

Feb 27, 2021

FROM AUTISM TO ART: THE FUTURE OF NFTS

Victoria Comstock-Kershaw

Feb 6, 2021

REVIEW | CYBERPUNK ATTEMPTS EVERYTHING AND ACHIEVES NOTHING

Victoria Comstock-Kershaw

Feb 20, 2020

COCAINE, CHAOS AND COLOURBLOCKING: INSIDE THE INSANITY OF LONDON FASHION WEEK